Edited by Eiji Sekine

出版済: 1995-10-01

FRONT MATTER

Foreword

Eiji Sekine
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KEYNOTE ADDRESSES

Japan: the Presentational Urge

Donald Richie
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PERFORMANCE IN TRADITIONAL THEATER

Japanese Classical Drama as Viable English playscript

Andrew Tsubaki
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Critical perspectives on the Noh play Izutsu

Shelley Fenno Quinn
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Commedia dell’arte and Kyōgen: two popular theatres on opposite sides of the Silk Road

Fabio Mangolini
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Zeami’s Riken and Gadamer’s Spiel: A Comparative Analysis of the Bodily-Performative Subjectivity

Takeyoshi Nishiuchi
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Signs of performance: Benten Kozō by Kawatake Mokuami

Harue Tsutsumi
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(RE)PRESENTATION OF VISUAL TEXTS

High Metabolism: Manga circa Shōwa 50

Charles Quinn
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Liquid Cinema: Topologies of Emulsion in Two Japanese films

Akira Mizuta Lippit
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Santō Kyōden’s The Merchandise You All Know as Merchandise: Self-reflexive promotion across two media

Adam Kern
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TEXTS IN THE MAKING: MUSIC, FOLKLORE, AND FESTIVAL

Kawatake Mokuami as lyricist

Roger Thomas
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Tōno monogatari as Performance: Literary Representation of Tōno Legends by Yanagita Kunio

Kiyo Sakamoto
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Festival Performance: What Light can it Shed on Literary Performance?

Elaine Gerbert
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REPORT ON ROUND TABLE DISCUSSION

Report on Round table discussion: The teaching of Japanese theater and film.

James O’Brien##common.commaListSeparator##William Matheson##common.commaListSeparator##Marvin Marcus##common.commaListSeparator##Phyllis Lyons##common.commaListSeparator##Sumie Jones
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