Edited by Eiji Sekine

出版済: 1995-10-01

FRONT MATTER

Foreword

Eiji Sekine
PDF (English)

KEYNOTE ADDRESSES

Japan: the Presentational Urge

Donald Richie
PDF (English)

PERFORMANCE IN TRADITIONAL THEATER

Japanese Classical Drama as Viable English playscript

Andrew Tsubaki
PDF (English)

Critical perspectives on the Noh play Izutsu

Shelley Fenno Quinn
PDF (English)

Commedia dell’arte and Kyōgen: two popular theatres on opposite sides of the Silk Road

Fabio Mangolini
PDF (English)

Zeami’s Riken and Gadamer’s Spiel: A Comparative Analysis of the Bodily-Performative Subjectivity

Takeyoshi Nishiuchi
PDF (English)

Signs of performance: Benten Kozō by Kawatake Mokuami

Harue Tsutsumi
PDF (English)

(RE)PRESENTATION OF VISUAL TEXTS

High Metabolism: Manga circa Shōwa 50

Charles Quinn
PDF (English)

Liquid Cinema: Topologies of Emulsion in Two Japanese films

Akira Mizuta Lippit
PDF (English)

Santō Kyōden’s The Merchandise You All Know as Merchandise: Self-reflexive promotion across two media

Adam Kern
PDF (English)

TEXTS IN THE MAKING: MUSIC, FOLKLORE, AND FESTIVAL

Kawatake Mokuami as lyricist

Roger Thomas
PDF (English)

Tōno monogatari as Performance: Literary Representation of Tōno Legends by Yanagita Kunio

Kiyo Sakamoto
PDF (English)

Festival Performance: What Light can it Shed on Literary Performance?

Elaine Gerbert
PDF (English)

REPORT ON ROUND TABLE DISCUSSION

Report on Round table discussion: The teaching of Japanese theater and film.

James O’Brien;James O’Brien;William Matheson;Marvin Marcus;Phyllis Lyons;Sumie Jones
PDF (English)