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Vol. 1 (1995): Japanese Theatricality and Performance
Edited by Eiji Sekine
Published:
1995-10-01
FRONT MATTER
Foreword
Eiji Sekine
PDF
KEYNOTE ADDRESSES
Japan: the Presentational Urge
Donald Richie
PDF
PERFORMANCE IN TRADITIONAL THEATER
Japanese Classical Drama as Viable English playscript
Andrew Tsubaki
PDF
Critical perspectives on the Noh play Izutsu
Shelley Fenno Quinn
PDF
Commedia dell’arte and Kyōgen: two popular theatres on opposite sides of the Silk Road
Fabio Mangolini
PDF
Zeami’s Riken and Gadamer’s Spiel: A Comparative Analysis of the Bodily-Performative Subjectivity
Takeyoshi Nishiuchi
PDF
Signs of performance: Benten Kozō by Kawatake Mokuami
Harue Tsutsumi
PDF
(RE)PRESENTATION OF VISUAL TEXTS
High Metabolism: Manga circa Shōwa 50
Charles Quinn
PDF
Liquid Cinema: Topologies of Emulsion in Two Japanese films
Akira Mizuta Lippit
PDF
Santō Kyōden’s The Merchandise You All Know as Merchandise: Self-reflexive promotion across two media
Adam Kern
PDF
TEXTS IN THE MAKING: MUSIC, FOLKLORE, AND FESTIVAL
Kawatake Mokuami as lyricist
Roger Thomas
PDF
Tōno monogatari as Performance: Literary Representation of Tōno Legends by Yanagita Kunio
Kiyo Sakamoto
PDF
Festival Performance: What Light can it Shed on Literary Performance?
Elaine Gerbert
PDF
REPORT ON ROUND TABLE DISCUSSION
Report on Round table discussion: The teaching of Japanese theater and film.
James O’Brien, James O’Brien, William Matheson, Marvin Marcus, Phyllis Lyons, Sumie Jones
PDF