Edited by Eiji Sekine

Published: 1995-10-01

FRONT MATTER

Foreword

Eiji Sekine
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DOI: https://doi.org/10.26812/pmajls.v1i.2347

KEYNOTE ADDRESSES

Japan: the Presentational Urge

Donald Richie
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DOI: https://doi.org/10.26812/pmajls.v1i.2348

PERFORMANCE IN TRADITIONAL THEATER

Japanese Classical Drama as Viable English playscript

Andrew Tsubaki
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DOI: https://doi.org/10.26812/pmajls.v1i.2349

Critical perspectives on the Noh play Izutsu

Shelley Fenno Quinn
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DOI: https://doi.org/10.26812/pmajls.v1i.2350

Commedia dell’arte and Kyōgen: two popular theatres on opposite sides of the Silk Road

Fabio Mangolini
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DOI: https://doi.org/10.26812/pmajls.v1i.2351

Zeami’s Riken and Gadamer’s Spiel: A Comparative Analysis of the Bodily-Performative Subjectivity

Takeyoshi Nishiuchi
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DOI: https://doi.org/10.26812/pmajls.v1i.2352

Signs of performance: Benten Kozō by Kawatake Mokuami

Harue Tsutsumi
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DOI: https://doi.org/10.26812/pmajls.v1i.2353

(RE)PRESENTATION OF VISUAL TEXTS

High Metabolism: Manga circa Shōwa 50

Charles Quinn
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DOI: https://doi.org/10.26812/pmajls.v1i.2354

Liquid Cinema: Topologies of Emulsion in Two Japanese films

Akira Mizuta Lippit
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DOI: https://doi.org/10.26812/pmajls.v1i.2355

Santō Kyōden’s The Merchandise You All Know as Merchandise: Self-reflexive promotion across two media

Adam Kern
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DOI: https://doi.org/10.26812/pmajls.v1i.2356

TEXTS IN THE MAKING: MUSIC, FOLKLORE, AND FESTIVAL

Kawatake Mokuami as lyricist

Roger Thomas
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DOI: https://doi.org/10.26812/pmajls.v1i.2357

Tōno monogatari as Performance: Literary Representation of Tōno Legends by Yanagita Kunio

Kiyo Sakamoto
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DOI: https://doi.org/10.26812/pmajls.v1i.2358

Festival Performance: What Light can it Shed on Literary Performance?

Elaine Gerbert
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DOI: https://doi.org/10.26812/pmajls.v1i.2359

REPORT ON ROUND TABLE DISCUSSION

Report on Round table discussion: The teaching of Japanese theater and film.

James O’Brien, James O’Brien, William Matheson, Marvin Marcus, Phyllis Lyons, Sumie Jones
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DOI: https://doi.org/10.26812/pmajls.v1i.2360