Edited by Cheryl Crowley

出版済: 2022-11-04

FRONT MATTER

Front Matter, including a foreword by Cheryl Crowley

Cheryl Crowley
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POETS, PLACES, GENDER, AND GENRE: SOCIAL ASPECTS OF PREMODERN POETRY

Banquet Poetry and the Gendering of Social and Textual Spaces in the Man'yōshū

Danica Truscott
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Poems to Unite and Poems to Divide: What Audience Reactions Reveal About the Social Functions of Heian Waka

Gian Piero Persiani
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Imagined Journeys: Daiei Travel Poetry in Senzaishū

Bonnie McClure
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Crossing the Threshold: Genre, Gender, and Reading in Ema Saikō’s Poetry

Matthew Mewhinney
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BUILDING AND BREAKING BOUNDARIES: SCIENCE, FICTION, AND SCIENCE FICTION FROM MEIJI AND BEYOND

Creative Science: Meiji-Era Science Fiction and the Discursive Location of Zōkaki-ron

Kumiko Saito
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Mixed Media: Science Fiction and the Social Force of Genre

Brian White
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THE CORPOREALITY OF BELONGING: REPRESENTATIONS OF WOMEN AND WORK

Seizing/Ceasing Reproduction: Matsuda Tokiko, Birth Control Politics, and Proletarian Solidarity in “Chichi o uru”

Edwin Michielsen
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Vulnerability of Women’s Bodies through Post War and Post Fukushima Literature

Saeko Kimura
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INCLUDING THE YOUNG IN MODERN LITERATURE

Children as Cultural Imaginary: the Making of "Little Citizens" Through Shōnen sekai, 1895–1914

Wakako Suzuki
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Love and Sexuality in Tomishima Takeo’s Junior Fiction

Hiromi Tsuchiya Dollase
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Countdown to the Demise of Novels for Girls

Yoriko Kume##common.semicolonListSeparator##Barbara Hartley (Translator)
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ACCEPTABLE RETELLINGS AND TRANSFORMATIVE WORKS: TRANSLATIONS AND ADAPTATIONS

Researching Adaptation: Reading/Watching “The Hell Screen”

Michele Eduarda Brasil de Sá
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Sympathy for an Invert: the Translation and Reception of Mishima Yukio's Kamen no Kokuhaku (Confessions of a Mask) in English

Patrick Carland-Echavarria
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Matayoshi Naoki and Dazai Osamu: Rethinking the Solitary Masculine Literary Subject

Anri Yasuda
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DIFFERENCE AND INDIFFERENCE: INCLUSION AND EXCLUSION IN CONTEMPORARY LITERATURE

Murakami Haruki on a Little Planet

Masaki Mori
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Dead Man Walking: Yū Miri's JR Ueno Eki Kōenguchi

Doug Slaymaker
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The Gentle Inclusivity of Kawakami Hiromi’s “Summer Break”

Kathryn Hemmann
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BACK MATTER

Back Matter

Editorial Staff
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