Edited by Eiji Sekine

Published: 1997-11-28

FRONT MATTER

Front Matter Including a Foreword by Edith Sarra

Edith Sarra
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DOI: https://doi.org/10.26812/pmajls.v3i.2379

KEYNOTE ADDRESSES

Vernacularism and the construction of gender in modern Japanese language

Chizuko Ueno
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DOI: https://doi.org/10.26812/pmajls.v3i.2380

MAJOR ADDRESSES

雅と俗－物語史・小説史の視点から

Ga and zoku viewed in the Historical Context of Shōsetsu and Monogatari

Osamu Kigoshi
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DOI: https://doi.org/10.26812/pmajls.v3i.2383

雅俗と虚構－蕪村の場合における覚書

Ga/Zoku and Fiction: Notes on the Case of Buson

Takashi Ibi
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DOI: https://doi.org/10.26812/pmajls.v3i.2382

江戸時代の文芸家と禄高

Salaries of Men of Letters in Edo Period

Kenji Watanabe
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DOI: https://doi.org/10.26812/pmajls.v3i.2381

GA/ZOKU AVANT LA LETTRE: HEIAN COURT LITERATURE AND ITS OTHER

Religious boundaries in aesthetic domains: the formation of a Buddhist category (shakkyō-ka) in the imperial poetry anthologies

Stephen D. Miller
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DOI: https://doi.org/10.26812/pmajls.v3i.2386

Ga-zoku and verbal-visual dynamics in the picture contest chapter of The Tale of Genji

Fumiko T. Togasaki
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DOI: https://doi.org/10.26812/pmajls.v3i.2385

Sei Shōnagon the essay / ese-ist: delineating differences in Makura no sōshi

Naomi Fukumori
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DOI: https://doi.org/10.26812/pmajls.v3i.2384

ONO NO KOMACHI GOES SLUMMING

Recreating the legend of Ono no Komachi: Enchi Fumiko's Komachi Hensō

Eileen B. Mikals-Adachi
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DOI: https://doi.org/10.26812/pmajls.v3i.2388

Komachi at the crossroads: elements of popular female performance in two nō plays

Sarah M. Strong
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DOI: https://doi.org/10.26812/pmajls.v3i.2387

GA/ZOKU DYNAMICS IN EDO LITERATURE, ART, AND POETICS

Highbrow / lowbrow: the aristocratic and the common in early Edo arts

Elizabeth Lillehoj
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DOI: https://doi.org/10.26812/pmajls.v3i.2391

Ga/zoku as riddle: the Ogura Nazorae Hyakunin Isshu

Joshua S. Mostow
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DOI: https://doi.org/10.26812/pmajls.v3i.2392

The emperor's old clothes: classical narratives in early modern Japan

Lawrence E. Marceau
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DOI: https://doi.org/10.26812/pmajls.v3i.2390

Ōkuma Kotomichi and the re-visioning of Kokinshū elegance

Roger K. Thomas
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DOI: https://doi.org/10.26812/pmajls.v3i.2389

AUTOBIOGRAPHICAL VOICES OF THE MODERN PERIOD

The play of the ear in the novels of Uno Kōji

Elaine Gerbert
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DOI: https://doi.org/10.26812/pmajls.v3i.2395

Women politicians authoring their own lives

Sally A. Hastings
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DOI: https://doi.org/10.26812/pmajls.v3i.2394

Broken rings and broken brushes: the broken dreams of a modern Murasaki

Rebecca L. Copeland
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DOI: https://doi.org/10.26812/pmajls.v3i.2393

VIRTUAL AND VISUAL REALITIES, MAGICAL AND POLITICAL REALISM

Ga / zoku: magical realism in Ōe Kenzaburō's Moeagaru midori no ki (The Flaming Green Tree)

Yoshiko Yokochi Samuel
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DOI: https://doi.org/10.26812/pmajls.v3i.2399

Televisual retrofutures and the body of insomnia: visuality and virtual realities in the short fiction of Murakami Haruki

Livia Monnet
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DOI: https://doi.org/10.26812/pmajls.v3i.2398

Another travel of a genre: Kajin no kigū as an intersection of the political novel of the West and the tradition of kanshibun

Atsuko Sakaki
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DOI: https://doi.org/10.26812/pmajls.v3i.2397

Junbungaku goes to the movies: Akutagawa Ryūnosuke and katsudō shashin

Carole Cavanaugh
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DOI: https://doi.org/10.26812/pmajls.v3i.2396

COMMODIFYING THE BEAUTIFUL

The dynamics of metaphor in Suzuki Harunobu

Aiko Okamoto-MacPhail
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DOI: https://doi.org/10.26812/pmajls.v3i.2402

The commodification of sentiment: a veneer of ga, but zoku at heart

Sara Langer
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DOI: https://doi.org/10.26812/pmajls.v3i.2401

Shōjo minds in the gutter: reading the Genji manga

Margaret Key
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DOI: https://doi.org/10.26812/pmajls.v3i.2400

BACK MATTER

Back matter for PMAJLS 3: Ga/Zoku Dynamics in Japanese Literature

Eiji Sekine
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DOI: https://doi.org/10.26812/pmajls.v3i.2403