Edited by Robert Tierney and Elizabeth Oyler

出版済: 2017-05-24

FRONT MATTER

Front Matter, including a preface by Robert Tierney and Elizabeth Oyler

Robert Tierney##common.commaListSeparator##Elizabeth Oyler
PDF (English)
##plugins.pubIds.doi.readerDisplayName##: https://doi.org/10.26812/pajls.v17i.1643

PAPERS

Color images in the Sarashina nikki and their function in the narrative discourse

Pana Barova-Ozcan
PDF (English)
##plugins.pubIds.doi.readerDisplayName##: https://doi.org/10.26812/pajls.v17i.1515

Through anxious or confident eyes? Visualizing the Korean subversive in Taishō detective narratives

Andre Haag
PDF (English)
##plugins.pubIds.doi.readerDisplayName##: https://doi.org/10.26812/pajls.v17i.1650

On the tip of his tongue: Hail Kim's Braille experiences as described in his texts

Juhee Lee
PDF (English)
##plugins.pubIds.doi.readerDisplayName##: https://doi.org/10.26812/pajls.v17i.1652

The Buddhist Negotiation with the Senses in Jakuzen’s Hōmon hyakushu

Stephen D. Miller
PDF (English)
##plugins.pubIds.doi.readerDisplayName##: https://doi.org/10.26812/pajls.v17i.1654

Emperor on exhibition: representation of kingship in Yoru no Nezame and the Nezame Scrolls

Joannah Peterson
PDF (English)
##plugins.pubIds.doi.readerDisplayName##: https://doi.org/10.26812/pajls.v17i.1657

The sound of liveness: the Zenshinza's Shinsengumi: a Talkie Rensa-geki

Aragorn Quinn
PDF (English)
##plugins.pubIds.doi.readerDisplayName##: https://doi.org/10.26812/pajls.v17i.1660

The language of red in Kim Chʼang-saeng's 'Akai mi'

Catherine Ryu
PDF (English)
##plugins.pubIds.doi.readerDisplayName##: https://doi.org/10.26812/pajls.v17i.1585

A woman's gaze

Luciana Sanga
PDF (English)
##plugins.pubIds.doi.readerDisplayName##: https://doi.org/10.26812/pajls.v17i.1587

What the horses do not know: Furukawa Hideo's Umatachiyo, sore demo hikari wa muku de

Doug Slaymaker
PDF (English)
##plugins.pubIds.doi.readerDisplayName##: https://doi.org/10.26812/pajls.v17i.1589

Smelling music: the 'unheard' sounds of Takahashi Chikuzan

Joshua Solomon
PDF (English)
##plugins.pubIds.doi.readerDisplayName##: https://doi.org/10.26812/pajls.v17i.1591

視覚からの逃避と視覚への逃避：水村美苗『私小説 FROM LEFT TO RIGHT』における美苗の主体性構築

Escaping to and from visibility: Minae's construction of agency in Mizumura Minae's Shishosetsu From Left to Right

但馬みほ
PDF (English)
##plugins.pubIds.doi.readerDisplayName##: https://doi.org/10.26812/pajls.v17i.1593

Scenting as performance: aesthetics of aroma and sensory imagination in the incense ceremony

Benedikt Vogel
PDF (English)
##plugins.pubIds.doi.readerDisplayName##: https://doi.org/10.26812/pajls.v17i.1595

Decadence, double agents, and a drunken boat: colonial legacies in Tanaka Hidemitsu's Yoidorebune

Christina Yi
PDF (English)
##plugins.pubIds.doi.readerDisplayName##: https://doi.org/10.26812/pajls.v17i.1597

Dazai Osamu's sense and sensibility

Guohe Zheng
PDF (English)
##plugins.pubIds.doi.readerDisplayName##: https://doi.org/10.26812/pajls.v17i.1598

BACK MATTER

Back Matter

Editorial Staff
PDF (English)
##plugins.pubIds.doi.readerDisplayName##: https://doi.org/10.26812/pajls.v17i.1740