Edited by James Dorsey and Dennis Washburn

Published: 2007-06-01

FRONT MATTER

Front Matter, including a Foreword by James Dorsey and Dennis Washburn

James Dorsey, Dennis Washburn
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DOI: https://doi.org/10.26812/pajls.v7i.1247

KEYNOTE ADDRESS

From everyday life to print: on the production of two genres of text in modern Japan

Jordan Sand
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DOI: https://doi.org/10.26812/pajls.v7i.1262

READING AT THE MARGINS: MAPPING THE FLOWS OF PUBLISHING AND DISTRIBUTION

Reading Tokuda Shūsei in the provinces: regional newspapers and writers of the imperial capital

Kensuke Kōno
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DOI: https://doi.org/10.26812/pajls.v7i.1248

Seattle's Little Tokyo: bundan fiction and the Japanese diaspora

Ted Mack
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DOI: https://doi.org/10.26812/pajls.v7i.1166

Japanese literature in early twentieth-century East Asia: the enpon boom, the Uchiyama shoten, and the growth of trans-Asian literary networks

Karen Thornber
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DOI: https://doi.org/10.26812/pajls.v7i.1250

The histories of Japanese book collections in the United States: an interim report and some thoughts about the research

Atsuhiko Wada
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DOI: https://doi.org/10.26812/pajls.v7i.1251

Surviving the Red Purge: activist literature and publishers in the Cold War

Ann Sherif
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DOI: https://doi.org/10.26812/pajls.v7i.1252

READING THE FINE PRINT: LITERATURE AND THE MATERIALITY OF PRINT

Willful copyists and the transmission of suspect narratives of literary production

Christian Ratcliff
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DOI: https://doi.org/10.26812/pajls.v7i.1253

The expanding role of the carnivalesque and the early Meiji fiction of Kanagaki Robun

Kelly Hansen
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DOI: https://doi.org/10.26812/pajls.v7i.1254

Aposiopesis and completion: Yoshiya Nobuko's typographic melodrama

Sarah Frederick
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DOI: https://doi.org/10.26812/pajls.v7i.1255

Consumption and leisure: an intratextual reading of Hisao Jūran's Kyarako san

Michiko Suzuki
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DOI: https://doi.org/10.26812/pajls.v7i.1256

Is the pen mightier than the mouse? Phenomenology of Japanese word processing

Atsuko Sakaki
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DOI: https://doi.org/10.26812/pajls.v7i.1257

READING THE VISUAL: PROJECTING IMAGE IN/ONTO TEXT

Wang Zhaojun's new portrait: photography in nineteenth century Kanshibun

Matthew Fraleigh
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DOI: https://doi.org/10.26812/pajls.v7i.1258

Photography and automatic writing as idée fixe in Ozaki Kōyō's The Gold Demon

Seth Jacobowitz
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DOI: https://doi.org/10.26812/pajls.v7i.1259

Screening the letter: technology and spectatorship in Ōe Kenzaburō

Bruce Suttmeier
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DOI: https://doi.org/10.26812/pajls.v7i.1260

Reading the visual text: Tawada Yōko's Tabi wo suru hadaka no me

Doug Slaymaker
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DOI: https://doi.org/10.26812/pajls.v7i.1261

BACK MATTER

Back Matter

Editorial Staff
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DOI: https://doi.org/10.26812/pajls.v7i.1263