Edited by Michael Bourdaghs, Hoyt Long, and Reginald Jackson

Published: 2015-01-16

FRONT MATTER

Front Matter, including an Introduction by Michael Bourdaghs, Hoyt Long, and Reginald Jackson

Michael Bourdaghs, Hoyt Long, Reginald Jackson
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DOI: https://doi.org/10.26812/pajls.v15i.1376

POLITICS AND PERFORMANCE

The Kirishitan expulsion as ritual performance in early-modern Japanese texts

Jan Leuchtenberger
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DOI: https://doi.org/10.26812/pajls.v15i.1377

Performative writing: Kōtoku Shūsui and revolutionary community

Robert Tierney
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DOI: https://doi.org/10.26812/pajls.v15i.1378

TRADITIONAL PERFORMANCE (1)

Emanations of power: preachers and the performance of homiletic tales in early medieval Japan

Ethan Bushelle
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DOI: https://doi.org/10.26812/pajls.v15i.1379

Performing texts: the blind musician Ogino Chiichi and the tradition of Heikyoku in mid-to late Tokugawa Japan

Wei Yu Wayne Tan
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DOI: https://doi.org/10.26812/pajls.v15i.1380

MARGINALITY AS PERFORMANCE

Jinruikan (The Human Pavilion) and performing Okinawa: constructed knowledge, linguistic difference, and war memory

Kyle Ikeda
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DOI: https://doi.org/10.26812/pajls.v15i.1381

PEDAGOGY AS PERFORMANCE

Noh, Shakespeare, and pedagogy in Kurosawa's Kumonosujō (Throne of Blood)

Susan Blakeley Klein
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DOI: https://doi.org/10.26812/pajls.v15i.1382

Reading The Tale of Genji through word clouds: a digital approach to literary criticism and pedagogy

Catherine Ryu
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DOI: https://doi.org/10.26812/pajls.v15i.1383

TRANSLATION AS PERFORMANCE

Performing a reading of Konjiki yasha

Ken K. Ito
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DOI: https://doi.org/10.26812/pajls.v15i.1384

Performing the sexuality of the flaneur in Nagai Kafū's translations of Baudelaire

Marianne Tarcov
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DOI: https://doi.org/10.26812/pajls.v15i.1385

TRADITIONAL PERFORMANCE(2)

Envisioning difference: social typology and exhaustive listing in Fujiwara no Akihira's An Account of the New Monkey Music

Ashton Lazarus
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DOI: https://doi.org/10.26812/pajls.v15i.1386

And the angel spake unto Harunobu: a Japanese Christian miracle story of 1591

Patrick Schwemmer
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DOI: https://doi.org/10.26812/pajls.v15i.1387

How to do things with poems: a reassessment of the wondrous powers of waka

Ariel Stilerman
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DOI: https://doi.org/10.26812/pajls.v15i.1388

PERFORMANCE IN MEIJI/TAISHŌ

The gold standard: performing genius in the early fiction of Tanizaki Jun'ichirō

Pau Pitarch Fernandez
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DOI: https://doi.org/10.26812/pajls.v15i.1389

Re-inventing the audience: towards an aesthetics of the spectator in Meiji Japan

Andreas Regelsberger
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DOI: https://doi.org/10.26812/pajls.v15i.1390

THE SOCIAL DIMENSTIONS OF PERFORMANCE

Performance as text: the legacy of post-1960s Japanese theatre

Cody Poulton
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DOI: https://doi.org/10.26812/pajls.v15i.1391

PERFORMING THE INCIDENT

Cities in the clouds: theatrical perspectives on tension between rebirth and return in the post-3/11 utopic imaginary

Justine Wiesinger
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DOI: https://doi.org/10.26812/pajls.v15i.1392

PERFORMING GENDER

Symbiotic cycles and the parodic performance of mother-daughter in Ōhara Mariko's Hybrid Child

Kazue Harada
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DOI: https://doi.org/10.26812/pajls.v15i.1393

Celebrity, media, and shame: A Linked Heart Comedy, Life of an Artist (Or, an Operetta, Life and Heart of an Artist) by Murayama Tomoyoshi (1923)

Diane Wei Lewis
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DOI: https://doi.org/10.26812/pajls.v15i.1394

Pan pan girls and transvestite patriarchies: performing and recovering masculinity in post-1945 literature and film

Andrea Mendoza
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DOI: https://doi.org/10.26812/pajls.v15i.1395

H. RICHARD OKADA MEMORIAL PANEL ON CRITICAL PEDAGOGIES

From deconstructing Genji to deep ecology: remembering Richard Okada

James Fujii
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DOI: https://doi.org/10.26812/pajls.v15i.1396

In lieu of eulogies: post-mortem on the Hideki Richard Okada critical pedagogies panel

Reginald Jackson
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DOI: https://doi.org/10.26812/pajls.v15i.1397