Edited by Sharalyn Orbaugh and Joshua S. Mostow

Published: 2009-08-21

FRONT MATTER

Front Matter, Including an Editors’ Preface by Sharalyn Orbaugh and Joshua S. Mostow

Sharalyn Orbaugh, Joshua S. Mostow
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DOI: https://doi.org/10.26812/pajls.v10i.1280

KEYNOTE ADDRESSES

「江戸時代の見立（みたて）とパロディ――地口絵本を中心に―」

Edo-Period Mitate and Parody: Focusing on Joke Picture-Books

Noriko Yamashita
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DOI: https://doi.org/10.26812/pajls.v10i.1407

WRITING PARODY IN MEIJI JAPAN

The fire guard and the hired bard: Narushima Ryūhoku's parodic journalism

Matthew Fraleigh
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DOI: https://doi.org/10.26812/pajls.v10i.1412

Playing and parodying the detective in Sōseki's Higan-sugi made

Keith Vincent
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DOI: https://doi.org/10.26812/pajls.v10i.1416

The discourse of noses in Natsume Sōseki's I am a Cat

Seth Jacobowitz
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DOI: https://doi.org/10.26812/pajls.v10i.1421

VERBAL/VISUAL PARODY INTERPLAYS IN LATE EDO-PERIOD WOODBLOCK PRINTS

Parodying the parody: the example of ken songs

Sepp Linhart
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DOI: https://doi.org/10.26812/pajls.v10i.1433

Spirals of parody: 'polemical imitation' in Shusse sugoroku, ningen dōchūzu and other Edo-period woodblock-printed publications on the human life-course

Susanne Formanek
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DOI: https://doi.org/10.26812/pajls.v10i.1429

Parody in the Dōke jōruri-zukushi series by Kuniyoshi

Noriko Brandl; Susanne Formanek (translator)
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DOI: https://doi.org/10.26812/pajls.v10i.1425

MURDERING THE ORIGINAL–CORPSES AND TRANSLATIONS IN MODERN JAPANESE LITERATURE

Mad scientists as translators: Japan's first adaptation of Mary Shelley's Frankenstein

Miri Nakamura
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DOI: https://doi.org/10.26812/pajls.v10i.1436

心霊学というメディアと近代詩

The Media of Occultism and Modern Poetry

Akio Nosaka
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DOI: https://doi.org/10.26812/pajls.v10i.1441

パロディとしての現代ミステリ

Contemporary Mystery as Parody

Takeshi Oshino
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DOI: https://doi.org/10.26812/pajls.v10i.1446

'Seeing as': mitate and parody in haikai linked verse

Jeremy Robinson
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DOI: https://doi.org/10.26812/pajls.v10i.1451

INDIVIDUAL PAPERS

Parody and Tokugawa realism: subverting religious and cultural (con)texts in Ejima Kiseki's Keisei kintanki

Monika Dix
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DOI: https://doi.org/10.26812/pajls.v10i.1455

Does vulgarity make parody? The case of Zoku Tsurezuregusa

Linda H. Chance
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DOI: https://doi.org/10.26812/pajls.v10i.1459

On parody, appropriation, and ideology in Harunobu's images of sericulture

Shalmit Bejarano
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DOI: https://doi.org/10.26812/pajls.v10i.1464

Breezes through rooms with light: Kanai Mieko by Roland Barthes by Kanai Mieko

Atsuko Sakaki
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DOI: https://doi.org/10.26812/pajls.v10i.1471

Tanizaki fights the Watakushi shōsetsu: Kokubyaku as bundan parody

Phyllis I. Lyons
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DOI: https://doi.org/10.26812/pajls.v10i.1477

The subversive potential of parody in Danchōtei nichijō, Nagai Kafū's World War II diary

David C. Earhart
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DOI: https://doi.org/10.26812/pajls.v10i.1481

Writing along with and against the smugness of writing: Kanai Mieko's A Study of the Comfortable Life

Tomoko Aoyama
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DOI: https://doi.org/10.26812/pajls.v10i.1485

Parody at work: Heathcliff's double in Mizumura Minae's Honkakuteki shōsetsu

Eve Zimmerman
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DOI: https://doi.org/10.26812/pajls.v10i.1489

Fiction critique parodies and multilayered pastiches: the 'Relation parodique' in the works of Ogino Anna and Shimizu Yoshinori

Caterina Mazza
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DOI: https://doi.org/10.26812/pajls.v10i.1300

Doubly parodied gender roles in yaoi narratives: male characters become homosexuals who then become 'women'

Kazumi Nagaike
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DOI: https://doi.org/10.26812/pajls.v10i.1495

BACK MATTER

Back Matter

Editorial Staff
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DOI: https://doi.org/10.26812/pajls.v10i.1499