Edited by Eiji Sekine

Published: 2004-07-11

FRONT MATTER

Front Matter, with a foreword by Eiji Sekine

Eiji Sekine
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DOI: https://doi.org/10.26812/pajls.v4i.1065

KEYNOTE ADDRESSES

Beyond home and city: poems by Ishigaki Rin and Shiraishi Kazuko

Noriko Mizuta; Eiji Sekine (translator)
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DOI: https://doi.org/10.26812/pajls.v4i.1061

Rewalking along the way of poetry

Gōzō Yoshimasu; Eiji Sekine (translator)
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DOI: https://doi.org/10.26812/pajls.v4i.1062

THEORIZATION OF POETRY AND NARRATIVE: TRADITION AND MODERNITY

Narrative and poetic progression: the logic of associativity

Rein Raud
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DOI: https://doi.org/10.26812/pajls.v4i.1042

From the pages of classics to the fantastic tales: Kyokutei Bakin and seven rules of fiction

Aiko Okamoto MacPhail
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DOI: https://doi.org/10.26812/pajls.v4i.1043

Poetry and poetics in tension: Kuki Shūzo's French and German connections

Michael F. Marra
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DOI: https://doi.org/10.26812/pajls.v4i.1044

WAKA, BUDDHISM, AND THE MEDIEVAL COMMENTARIAL TRADITION

Nomori no kagami and the perils of poetic heresy

Keller Kimbrough
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DOI: https://doi.org/10.26812/pajls.v4i.1033

Down the primrose path: Ariwara no Narihira as love god in medieval poetic commentaries and noh theater

Susan Blakeley Klein
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DOI: https://doi.org/10.26812/pajls.v4i.1034

POETICITY AND NARRATIVITY IN TOKUGAWA POETRY

Yosa Buson and humor: Shin hanatsumi (New 'Flower Gathering') and kokkei

Cheryl Crowley
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DOI: https://doi.org/10.26812/pajls.v4i.1035

Poetry fit to sing: Tachibana Moribe and the chōka revival

Roger K. Thomas
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DOI: https://doi.org/10.26812/pajls.v4i.1036

CANON FORMATION IN MEIJI LITERATURE

The formation of allusive resilience in waka and its relevance to Meiji shintaishi

Dean Brink
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DOI: https://doi.org/10.26812/pajls.v4i.1037

Sketching out the critical tradition: Yanagita Kunio and the reappraisal of realism

Melek Ortabasi
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DOI: https://doi.org/10.26812/pajls.v4i.1038

WOMEN AND TRANSLATION: SUBVERSIVE TEXTUALITY

Out of the shadows: applying a feminist framework to translation in Meiji and modern-day Japan

Judy Wakabayashi
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DOI: https://doi.org/10.26812/pajls.v4i.1039

Whoever said springtime was for blossoms? Kokinshū poetics, Ainu orality, and Chiri Yukie's preface to the Ainu Shin'yōshū

Sarah M. Strong
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DOI: https://doi.org/10.26812/pajls.v4i.1040

ASPECTS OF MODERN POETRY AND NARRATIVE: FEMINISM, EXPERIMENTALISM, AND VISUALITY

Unsealing Yamakawa Tomiko's tanka: construction of Tomiko's gendered image in contrast to Akiko's

Mitsuko Tanaka
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DOI: https://doi.org/10.26812/pajls.v4i.1041

The heritage of symbolism: the 'aesthetic' style of Kitahara Hakushū and Murayama Kaita

Jeffrey Angles
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DOI: https://doi.org/10.26812/pajls.v4i.1026

Colonial Manchuria in the surrealist imagination: the poetry and prose of Kitagawa Fuyuhiko as modernist history

Annika Culver
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DOI: https://doi.org/10.26812/pajls.v4i.1027

Poeticity of feminine subjectivity: contemporary women's poetics from Tomioka Taeko to shōjo manga

Kumiko Sato
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DOI: https://doi.org/10.26812/pajls.v4i.1028

CONTEMPORARY INTERTEXTUALITY AND PRACTICES DECONSTRUCTIVE REWRITING OF

With traces: the iterability of memory and narration in Kanai Mieko's Yawarakai tsuchi o funde

Atsuko Sakaki
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DOI: https://doi.org/10.26812/pajls.v4i.1024

Plain water with a twist of lime(stone): magical realism in Medoruma Shun

Davinder L. Bhowmik
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DOI: https://doi.org/10.26812/pajls.v4i.1025

Shifting discourses: a comparative study of Nakagami Kenji's style to those of Tanizaki Jun'ichirō, Murasaki Shikibu, and William Faulkner

Mikiko Iwaya
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DOI: https://doi.org/10.26812/pajls.v4i.1023

Wagahai wa neko dearu satsujin jiken as a postmodern sequel

Irena Hayter
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DOI: https://doi.org/10.26812/pajls.v4i.1022