Edited by Stephen D. Miller

Published: 2000-01-01

FRONT MATTER

Front Matter, including a Foreword by Stephen D. Miller

Stephen D. Miller
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DOI: https://doi.org/10.26812/pajls.v1i.825

KEYNOTE ADDRESSES

泉鏡花の作品の日本的特性について

Izumi Kyōka no sakuhin no Nihonteki tokusei nitsuite

Jun Kubota
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DOI: https://doi.org/10.26812/pajls.v1i.826

歌の運命

Uta no unmei

Mutsuo Takahashi
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DOI: https://doi.org/10.26812/pajls.v1i.827

From canon formation to evaluational reformation: Man'yō, Genji, Bashō

Sadami Suzuki
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DOI: https://doi.org/10.26812/pajls.v1i.828

OUTSIDERS ON THE INSIDE – OKINAWAN, RESIDENT KOREAN, COLONIAL, AND BURAKU LITERATURE AND THE CANON

Dilution or diversification--Okinawan works and the Akutagawa Prize

Kirsten Cather
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DOI: https://doi.org/10.26812/pajls.v1i.829

Shimazaki Tōson's Hakai: (re)writing and (re)reading the canon

Sayuri Oyama
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DOI: https://doi.org/10.26812/pajls.v1i.830

Between anxiety and celebration: resident Korean writers and the Japanese literary canon

Melissa Wender
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DOI: https://doi.org/10.26812/pajls.v1i.831

GENRE, POETICS, AND MODERNITY IN CONSTRUCTION OF JAPANESE LITERARY TRADITIONS

Canonization and commodification: illustrations to the Tales of Ise in the modern era

Joshua S. Mostow
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DOI: https://doi.org/10.26812/pajls.v1i.832

The strange fate of monogatari after the Genji: the genealogy of the term 'giko,' from style to subgenre

Robert Omar Khan
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DOI: https://doi.org/10.26812/pajls.v1i.833

The Tale of the Heike: its modern critics and the medieval past

David T. Bialock
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DOI: https://doi.org/10.26812/pajls.v1i.834

Poetic essence (hon'i) as Japanese literary canon

Haruo Shirane
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DOI: https://doi.org/10.26812/pajls.v1i.835

The discourse of 'makoto' and the canonization of Tokugawa waka

Peter Flueckiger
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DOI: https://doi.org/10.26812/pajls.v1i.836

Aesthetic politics and literary history: Shinkokinshū and Kazamaki Keijirō

Masaaki Kinugasa
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DOI: https://doi.org/10.26812/pajls.v1i.837

CONCEALMENT OF POLITICS/POLITICS OF CONCEALMENT

De-politicization of literature: social Darwinism and interiority

Atsuko Ueda
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DOI: https://doi.org/10.26812/pajls.v1i.838

'Samurai' fantasies in late-nineteenth-century Japan

James Reichert
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DOI: https://doi.org/10.26812/pajls.v1i.839

志賀直哉の“文学性”：“文学”の解釈コード

Shiga Naoya no bungakusei: bungaku no kaishaku kōdo

Ryōji Ōno
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DOI: https://doi.org/10.26812/pajls.v1i.840

Proletarian literature reconsidered

Heather Bowen-Struyk
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DOI: https://doi.org/10.26812/pajls.v1i.841

Hell at home: Nakagami Kenji and the discovery of Arthur Rimbaud

Eve Zimmerman
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DOI: https://doi.org/10.26812/pajls.v1i.842

COUNTERFEITS, CANNIBALS, AND CRUADERS: REINVENTING "CLASSICS" FROM THE INSIDE OUT

Fabricating Teika: the usagi forgeries and their authentic influence

Paul S. Atkins
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DOI: https://doi.org/10.26812/pajls.v1i.843

Cannibalizing memory: Teika, Sanetaka, and Fujioka's Sagoromo

Charo B. D'Etcheverry
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DOI: https://doi.org/10.26812/pajls.v1i.844

Political license and the poetic canon of the imperial waka anthologies

Stefania Burk
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DOI: https://doi.org/10.26812/pajls.v1i.845

NUNS, FARMERS AND CHOCOLATIERS: ADAPTATIONS OF THE CANON ACROSS TIME AND SPACE IN JAPANESE POETRY

In his footsteps: Shokyū-ni and the canonization of Bashō

Roger K. Thomas
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DOI: https://doi.org/10.26812/pajls.v1i.846

Shiki ariki Nōhon-shugi: reconsiderations of the haiku canon by Japanese-Brazilian farm poets

Nobuko Adachi
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DOI: https://doi.org/10.26812/pajls.v1i.847

'Chocolate translations,' 'bittersweet revolutions,' and 'tanka and photo': Tawara Machi's new renditions of Midaregami and questions of canonicity in modern Japanese classical poetry

James Stanlaw
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DOI: https://doi.org/10.26812/pajls.v1i.848

ISSUES OF CANONICITY FROM MEIJI TO TODAY

The canonicity of Yosano Akiko's Midaregami

Leith Morton
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DOI: https://doi.org/10.26812/pajls.v1i.849

The boundaries of the Japaneseness between 'Nihon bungaku' and ' Nihongo bungaku'

Faye Yuan Kleeman
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DOI: https://doi.org/10.26812/pajls.v1i.850

Discovering and textualizing memory: the tsuioku shōsetsu of Naka Kansuke and Takahashi Mutsuo

Jeffrey Angles
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DOI: https://doi.org/10.26812/pajls.v1i.851

From the margins of the canon: Kikuchi Yūhō and the katei shōsetsu

Ken K. Ito
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DOI: https://doi.org/10.26812/pajls.v1i.852

In search of insignificance? Modern literary anthologies, premodern genres, and the failed canonization of Uchida Hyakken

Rachel DiNitto
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DOI: https://doi.org/10.26812/pajls.v1i.853

EARLY SITINGS AND CODIFICATIONS OF A CLASSICAL LITERARY CANON

Strangers within: Nōin shū and the canonical status of private poetry collections

Stephen M. Forrest
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DOI: https://doi.org/10.26812/pajls.v1i.854

Women, readerly response, and the problem of imitation: Mumyōzōshi and the vexed beginnings of the monogatari canon

Edith Sarra
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DOI: https://doi.org/10.26812/pajls.v1i.855

The Kokinshū Commentaries and the Classical Studies of Renga Master Sōgi

Sook Young Wang
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DOI: https://doi.org/10.26812/pajls.v1i.856

'Siting translation': translation and classical Japanese literary canon formation in the United States

Lynne K. Miyake
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DOI: https://doi.org/10.26812/pajls.v1i.857

Developing a rakugo canon and the parodic use of canonical texts in rakugo

Patricia Welch
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DOI: https://doi.org/10.26812/pajls.v1i.858

From modernist outsiders to the new canon writers: Japanese modernist writers in contemporary Japanese literary canonization

Junko Ikezu Williams
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DOI: https://doi.org/10.26812/pajls.v1i.859